I had planned on painting my roan draft stallion using acrylic paint to do hair-by-hair roaning. But after a couple sessions, I really wasn’t satisfied with how it was looking. At the same time, I ran across part one of a nice roaning tutorial by Amanda Brock (Rogue Horse Studio) and Caryn showed me her first roan (done with a similar pastel technique) who was turning out quite nicely.
Caryn’s horse (in progress). Can you believe that’s her first roan?
Inspired, I washed the acrylic roaning off my resin and started to work on him with pastels and pencil. He already had a sealed blue-grey-brown base coat, and I started in on some white pastel using Amanda’s stippling technique. I also added some hairing detail with colored pencils. I was all ready to start doing some serious hairing with white charcoal when I dropped him on the floor. Sigh.
I was actually pretty lucky- all he lost was an ear. But it took me another few hours of work to get him whole again.
Building a new ear using Sarah Rose’s super glue and baking soda technique
After shaping his new ear, it took a few coats of acrylic to get it somewhat matching again. Then finally, using my white charcoal pencil, I started adding individual white hairs.
It’s crucially important when doing hair-by-hair roaning to a.) keep your pencil very sharp and b.) keep references handy. I’m using multiple hair growth charts (download them here) as well as close up pictures of flanks, armpits, and other tricky areas.
Keeping the pencil sharp enough to draw hairs on a stablemate scale resin requires a lot of sharpening. I used a regular sharpener plus sandpaper. You have to do it almost constantly, and that means you go through a lot of pencil.
When I started roaning, I had two full sized pencils.
Happily, there’s an art store within walking distance so I was able to pop out one afternoon and buy six more pencils to use.
I’ve got a whole collection of nubbins now, but I’m done with the first layer of hair detailing.
Even with all the sharpening, it’s basically impossible to get all the little hairs quite right. To keep things from being too stark, I go over each section with a medium-stiffness brush, keeping with the direction of the hair growth. It smudges the drawn hairs slightly and takes off any excess dust, which softens the detailing in a nice, more realistic way. I seal each layer with Dull Cote before moving on to the next. As with pastels, the sealer “pushes back” the color a bit which also helps prevent any stark lines.
On his neck and shoulder, the hairs have been brush-softened and sealed with Dull Cote. The starker hairs on his barrel have just been drawn in with the pencil.
I’ve been finding time to do a bit of work every night, and by today the first layer of hair-by-hair roaning is done. I need to do a bit more blending in some areas, but I’m going to give him a break for a bit so I can come back with a fresh eye. I also might work a bit on his acrylic details so I can better picture how his coat color will look on the finished horse.
I’m still working on a name for him- I’d like to find something from French Brittany, since the Breton breed is from there. It’s an area highly influenced by Welsh and Gaelic language, which is always fun.